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créée le mercredi 15 octobre 2014, 16 h 28
modifiée le mardi 4 octobre 2016, 23 h 04Samedi 19 avril 1986, 10 heures du matin. M., le dominicain, m’a gentiment emmené hier soir au beau concert de William Christie et des ~~~~~ ~~~~~~~~~~~~, ~~ ~~~ ~~~~~~~~~~~~~. ~~’~~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~ ~~~~~ de flirt le ~~~~~~~~~~~, ~~~~~~~ ~~~~, respectueux des engagements ~~~ ~~~~~~~, ~~~ ~~’~~~~~~ ~~~~~, ~~~ ~~~~~~ ~~~~~~, ~~~~~~~ ~~~~~~~~~~~ ; ~~~~~ ~~’~~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~. ~~~ ~~’~~ ~~~ ~~ ~~~~ ~~~. ~~’~~~~~~ ~~~~~~ ~~ ~~~ ~~~~~~ souper en tête-à-tête, ~~~ ~~ ~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~, ~~~~, ~~~~~~~-~~-~~~, ~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~ ~~~~~~~~ ~~~~~~ ~~~~ places.

À ~~~ ~~~~~~~, ~~~~~~ ~~’~~~~~~ ~~~~~~~, ~~~~~~~~~ ~~~~~~~, ~~~~~ à fait par ~~~ ~~~~~~. ~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~, ~~ ~~~~ ~~~~~, ~~~ ~~~ ~~~~ ~~~~~, ~~~~ ~~~~ ~~~ ~~~~~, ~~~~~~~~~ ~~~ ~~~~~~ ~~~~~ ~~~~~~~~. ~~~~~~ ~~~~~~~~ ~~~~ ~~~~ autres, c’est moi ~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~. ~~~ ~~~~ ~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~~~~ ~~~, ~~ ~~~~~~~~~ ~~~~~~~ ~~~ ~~~~~~, sur la place, ~~~ ~~~~ ~~~ ~~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~ ; ~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~ ~~~ ~~~~~ ~~~~~ ~~~~~~ ~~~’~~~ ~~~ ~~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~~ ou deux conversations, ~~~ ~~~ ~~~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~. ~~~~~~~~~ ~~~~-~~~ ~~~~ ~~’~~~~~~~~ ~~’~~~~ ~~~~~~, ~~~ ~~~’~~~ ~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~~~~, ~~~ ~~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~, et de remords ~~~ ~~~ ~~~~~~~~~~. ~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~~~~~ ~~~’~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~ ~~~~~~~~~~ ~~ ~~~~, ~~~~~ ~~~~~~~ ~~~ ~~~~~ (~~~ ~~~~~ ~~’~~~~ ~~~~~~ ~~~ ~~~~~~ minutes, je ne ~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~ ~~’~~~ ~~~~~ ~~~~~~, ~~~~~ ~~~ ~~~~~. ~~~~~ ~~~ ~~~~~~~~ ~~ ~~~~~~~~~ ~~~ ~~~~~~). ~~~~~~~~~ ~~’~~~~~~~, ~~~ ~~’~~~~~ ~~~~ ~~~~ ~~~~~ ~~~~ ~~’~~~ vont sans se ~~~~~~~~~~. ~~~~ ~~~ ~~~ ~~~~~~~~~ ~~~~ ~~~~~, ~~~~ ~~~~~~~, ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~, ~~~ ~~~ ~~’~~~~~~~~ ~~~~~~~ ~~~’~~ reculons.

Celui-ci ~~~~~~~~~~~ ~~~~ ~~’~~~~~~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~~ de sa drague. Ohime ! Il ~~~~~~ ~~~~ ~~~~~~ ~~~~~, ~~~ ~~~~~ ~~ ~~~~~~~’~~~ ~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~ les Arts florissants, ~~~ ~~~~~ ~~~~~~~~ ~~~~~~~ ~~~ ~~~~, ~~~~~ ~~~~~~~~. ~~’~~~ ~~~~~~~~~~~~~ ~~~~~~ ~~’~~~~~ amoureux, ici, sur ~~~~~~. ~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~ ~~~-~~~~~~, ~~ ~~~~~ ~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~ ~~~ ~~~~ ~~~~~~ : ~~~~~~~ ~~~~~~ ~~~ ~~~~~~, ~~~~~~~ ~~~~~~ ~~~-~~~~. ~~~~~~ ~~~~~ ~~~~~~~ ~~~~ semaine ici autour ~~~ ~~ ~~~~. ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~ ~~~~~~~~ ~~’~~~~~~~~~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~~~~ ~~ ~~~ ~~~~~~~-~~~. ~~~~~ ~~’~~~ ~~~~~~~ ~~~~~ ~~~’~~~ ~~’~~~~~~~ lieu que le ~~~ ~~~~, ~~~, ~~~ ~~~~~~ ~~~~~~, ~~ ~~~~~, ~~~~ ~~ Paris.

Pascal ~~~~~~~~, ~~~~ ~~~~~~ ~~~~~ ~~ ~~~ ~~~~~~~~~~~~~, ~~~~~~~ ~~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~’~~~ ~~~ possédait trois enregistrements ~~~~~~~~~~. ~~’~~~ ~~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~~~, ~~~~~ ~~’~~~ ~~~ ~~~~~~~ ~~~~ le Consort ~~~ Musicke : ~~~~~ ~~’~~~~ ~~~~~~~~~~~ ~~~ genre de choses ~~~’~~~ ~~~ ~~~~~ ~~~~ ~~~~~~~~ ~~~~~~~~~~~~. ~~~~~~ ~~~~~~~~ ~~~ ~~~~~, ~~’~~~~ ~~~~~ ~~ ~~~~~ ~~~~~~~~~. ~~~ ~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~ ~~ ~~~~~~~ ~~~~~, ~~~ ~~~~~ ~~~~ au traitement du texte.

À ~~~~~~-~~~~~~-~~~~-~~~~~~~~~, ~~~~ ~~~~~~~~, ~~~~~ ~~~~~ ~~~~~~~, ~~~~~~~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~ ~~~ ~~~~~~~ ~~~~~~~~~~~~ ~~ ~~~ ~~~~~~~~~ ~~~~~~-~~~~~~~~~, ~~~~~ ~~~~~~~~~ le reste de ~~’~~~~~~~, ~~~ ~~~~ ~~~~~~~~, ~~~ ~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~-~~~~~~~, ~~~~~ ~~~~~~ ~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~~~~, ~~~ XIX^e ~~~~~~~, ~~~~ ~~~~ ~~~~~~~~~ ~~~ Caravage. Une histoire ~~~ ~~’~~~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~ ~~ ~~~~~~~, ~~~~~ ~~~ ~~~ ~~~~~ ~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~, ~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~. ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~~~ “~~ ~~~ ~~~~~”. Ce n’est nullement ~~~~~~~~~~. ~~~~~~~~ ~~~~~~ ~~~ ~~~~, ~~~ ~~~~~~~~ ~~~~~~ ~~~ ~~~~~, ~~~~~ ~~~~~~~~~ ~~ ~~~~ ~~~~~~. ~~~~ ~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~~~. ~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~ ~~~~~ entière celle de ~~~~~~~. ~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~ meurtriers.

L’accrochage ~~~ ~~~ ~~~~~~~ ~~~~~~ ~~~ ~~’~~~~ ~~~~~~~~~~~~~, ~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~~~, ~~ ~~~~ ~~~~~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~, ~~~~~~~~~~~~~ à mon goût. La ~~~~~ ~~~ tombeau du ~~~~~~~~~ ~~ ~~~~ ~~~~~~~~~~ ~~ ~~~ ~~~~~~ ~~’~~~~~~~~, ~~~ ~~~~ ~~’~~~~ ~~~~ ~~~~~~~~, ~~~ ~~~ ~~~~~~ était La ~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~ Jérôme ~~~ ~~~~~~~~~~~, toujours pas exposée ; ~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~~~~, ~~~~ deux Supplices, ~~~~~ ~~~ ~~~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~, ~~~~ ~~~~ ~~~~~~~~. ~~~ ~~’~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~~~, ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~ état. Chute de ~~’~~~~~~ ~~~~~~~~~~ ? ~~~~ ~~~~~ ~~ ~~~~~ ~~~~ ~~’~~~~ ~~~~~~~ ~~~~~~ ~~~~~~~~ ~~~~~, ~~~~~ ~~~~~~ ~~~~~~~~ ~~~~ ~~’~~~~ ~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~~~~~~, ~~~~~-~~~~~ ~~~ ~~ ~~~~~~~~ vers 1600, mort ~~~~~ ~~~~~ : ~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~ ~~~~~~~ ~~~~~~~~~, ~~~~~ ~~~~~~~ ~~~ ~~~~~ puissants.

Illumination, while writing : ~~~ ~~~~~ ~~~~ ~~~ ~~~~~ ~~~~ ~~~~~~ ~~~~~ ~~’~~~~~~ ~~~~~~~~~ ~~~~~~~ la Déposition à Parme, en ~~~~~~~~. ~~~ ~~~ ~~~~~~~~ ~~~~~ ~~ ce journal même ~~~ ~~~~~~~, ~~~ ~~~~~~, ~~ ~~~ ~~~~~ ~~~ ~~~, ~~~’~~~ ~~~~~~~ ~~~ ~~ ~~~~~~~ ~~~ ~~~~~ ~~ ~~~~~ ~~~ ~~~~~ : cela sur la ~~~~ ~~~ ~~~~~~~~~~, ~~~~~ ~~~~~~. ~~~~~~~~~ ~~~~~~~~ ~~~ ~~~~ cahiers ! So ~~~~~ for “l’école française”, però. ~~~~~ ~~~~~~~~, ~~~ ~~~~~, ~~’~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~ ~~~~ ~~~~ ~~~~~~~~, ~~~~~ ~~’~~~ s’agit d’Anvers…

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Mercredi matin, ~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~~, ~~~ ~~~~~ ~~~~~ ~~~~~ l’Ara Pacis, ~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~ dans Pao Pao à ~~’~~~~~~~~~~ ~~~~~~~~ ~~’~~~ ~~~~~~~~ ~~~ ~~~~~ par deux soldats, ~~~~ ~~~~ ~~~~~~~~. ~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~ ~~~ ~~’~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~, ~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~ ~~~~~~, ~~’~~~~ ~~~~~~~ ~~~~~~~~~~~, ~~~ ~~~~~ ~~~~~~ ~~~~~~~. ~~~~~ ~~~~ écrin défavorable se ~~~~~~~ ~~~~~~~~~~~~, ~~~~~, ~~’~~~~~~ ~~~ ~~~ ~~~~~ ~~’~~~~~~~~, ~~~~~~~ ~~~ ~~~ ~~ ~~ ~~~. ~~~~~~-~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~ ~~~~~ ~~’~~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~~ ~~’~~~~~~~~. La structure du ~~~~~~~~~, ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~, ~~~~ ~~’~~~~ ~~~~~~~~~~ ~~~~~~~~~~. ~~’~~~~~~~~~~ ~~~~~~~~~~ ~~~~ ~~’~~~~~ ~~~~ ~~~ ~~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~, ~~~~~ ~~~~~~, ~~~ bonne qualité dans ~~~~ ~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~ ~~~ ~~~~~~, ~~~~~ ~~~~~ ~~~~~~~. ~~’~~~~ ~~~~~~ ~~’~~~~ ~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~, ~~~~~ ~~~~~-~~~~~ ses marches, la nuit.

Le ~~~~~~~~~ ~~’~~~~~~~~ ~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~. ~~~ ~~~ ~~~~~~~~~ ~~~~~ ~~’~~~~~~~ ~~’~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~ ~~~~~~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~~~~ ~~~~ l’architecture. On comprend ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~ ~~~ XIX^e ~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~~. ~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~~ ~~~’~~~ ~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~ ~~~ ~~~ ~~~~~~, celle de droite, ~~~~~~-~~~~~~~, ~~~~~~~ ~~~~~~~~~~ ~~~~~~~, ~~~~ ~~~ ~~~~~~~ ~~~~~~~ ~~~ ~~~~~~ (~~~~~) ~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~, ~~~~~~-~~~~~, ~~ ~~~~ ~~~~~~~ ~~~ ~~’~~~~~~~~~~~~ ~~~~~~~~~ (~~~~~), ~~~~~ ~~~~~~~~~~, ~~~~~~~ injustement, par Stendhal (~~~~~ ~~’~~~~ ~~~~~~~~ ~~~~~ ~~~ “~~~~~~~~~~~~~” ~~~ ~~’~~~~ ~~~ Titus).

3 ~~~~~~~ ~~~~~~ vingt. ~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~~ ~~’~~~~~~~~~ ~~~ ~~~ ~~~~~~~~-~~~~-~~~~~~ ~~~~~~ ~~~~~~~~~~~ ~~~ une énorme fontaine ~~~~~~~~, ~~~ ~~~~~~~~~~~~ ~~~~~~~ ~~’~~~~. ~~ ~~~~~ ~~~~~~~~’~~~~ ~~’~~~~~~~~~~~ ~~ ~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~~~, ~~~~ ~~~~~~~~~~ ~~~~~~~~~. ~~~~~~~~~~~ ~~~ ~~~~~ ~~ ~~~~ ~~~~~ beau.

J’ai ~~~~~~~ chez Rizzoli, sur ~~~ ~~~~~~, les Tenebrae de ~~~~~~~~~ ~~~ ~~’~~~~~~ ~~~~~~~ des Nocturnes de ~~~~~~~ ~~~~ ~~~~~~. ~~~ ~~~~~~~~ ~~’~~~~~ ~~~ ~~~ ~~~~~~~~, ~~~~~ ~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~~~~~~, ~~~~~ ~~~ “~~~~~~~~~~~” de ses intérêts, ~~’~~~ ~~~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~ ~~~ XIX^e ~~~~~~~, ~~~~ ~~’~~~~~~~~~ ~~’~~~~~~~~~ ~~~~~~~~. ~~~~~ ~~~~ ~~’~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~, ~~~~~~~~~~~~ ~~~ ~~~~~~~~~, ~~~~~~~~~ ~~~ ~~~~~~~, ~~~~~~~~~ ~~~ ~~~~~~~~, Malevitch et Malo. ~~~ ~~’~~ ~~ ~~~’~~~ ~~~~~~~~ ~~~ ~~~~~~ ~~~~~~~~ ~~~~ ~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~~~~~… ~~~~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~ ~~~~~ ~~~~~~~~ ~~~~~ ~~~~, ~~~ ne veux pas ~~’~~~~. ~~~~~ ~~~~~~~~, “~~~~ ~~~~~~~”, …

En ~~~~~~~~~ ~~’~~~ ~~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~, ~~~~ ~~~~~~ ~~~ ~~~~~~~~~~ ~~ ~~~ ~~~~~~, ~~~~~~ ~~~~~~~~, ~~~~~ ~~~~ ~~~~~ concerts à la ~~~~~~~~~~~~~. ~~~ ~~~~~~ ~~~~~~~ ~~~ ~~’~~~~~~~~, ~~~~~ ~~~ ~~’~~~ ~~~~ ~~~ ~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~ ~~~~~~-~~~ ~~~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~. Dommage…

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J’ai ~~~~~~~~ ~~~~~ ~~~ lecture de Pao Pao, ~~~~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~~~~. ~~’~~~~ ~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~ ~~~~~~. ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~, ~~~ ~~~~ ~~~~~~ ~~~ ~~~~, ~~~~ “~~~~~~” ~~~ ~~~~~~~ ~~~~~~~~~~~~ “copines”, mais il ~~ ~~ ~~~ ~~~~~~ ~~~ ~~~~~~~, ~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~~, ~~’~~~~ ~~~~~~, ~~’~~~ ~~~~, ~~’~~~~ ~~~~~~ ~~~ ~~~~~. ~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~ ~~~~ ~~’~~~~~~~~~~, ~~’~~~~~~~ ~~~~. Celui-ci vous remplit ~~~ ~~~~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~ ~~~ ~~~’~~~ ~~~~~~~. ~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~, ~~~ ~~~~~ ~~~ ~~~~~~ paragraphes. « Insomma ~~~~~~ ~~~~~ ~~~~ ~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~ che si oppone ~~~~~ ~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~, ~~~ ~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~’ ~~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~ ~~ ~~~~ ~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~. ~~~~~~~ va bene, per ~~~ ~~~’ ~~~ bene » (p. ~~~~). ~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~ ~~~~ ~~~~ ~~~~~~, ~~~~~~~ ~~~~~, ~~~ ~~~~ ~~~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~~~, ~~~~~~ ~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~ et militaire du ~~~~~~. ~~~ ~~~ ~~~~~~~~~~~, ~~~~ ~~’~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~, ~~’~~ ~~~~~~~ ~~’~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~, ~~ ~~~~ ~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~~. ~~~ ~~ ~~ ~~~~~ ~~~~ ~~~~~~~~~ où la version ~~~~~~~~~~ ~~’~~ ~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~ ~~~~~~, ~~~~~ ~~~~~~~~~~~, ~~~~ ~~’~~~~~~~~~.

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