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créée le mercredi 19 juin 2024, 16 h 36
modifiée le mercredi 19 juin 2024, 16 h 37Plieux, mercredi 19 juin 2024, trois heures et demie de l’après-midi. Ah, voilà enfin un article vraiment favorable — sur Enemy of the Disaster, par M. Alistair ~~~~~~~, ~~~~~ ~~~ Salisbury Review, ~~~~~~ ~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~~~~~ Premier Ministre de ~~~ ~~~~~~ ~~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~~. ~~~~ ~~~~~~ ~~~~~~~~ ~~~ ~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~-~~~~~ ans. L’aimable prose ~~~ ~~~ ~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~ ~~~~ ~~~~~~~~~~, ~~~ ~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~, ~~’~~~~~~~ ~~~’~~~~ ~~ ~~~~~ ~~~~-~~~~~~ ~~~~~ ~~~~~ traités :
« Enemy ~~~ the Disaster: Selected ~~~~~~~~~~ writings, ~~~~~~~ ~~~~~~, ~~~~~~~ ~~~~~~, ~~~~~, £19.99.
« Renaud ~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~’~~ ~~~~~ ~~~~~~~~~ ~~~~~~~~, ~~~ ~~~~~~~~~~~~~ ~~~~~~~~, ~~~~ ~~~~ ~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~ novels, art criticism, ~~~~~~ ~~~ ~~~~~~~~~~~, ~~~~~~~~~~~, ~~~~~~~~~, ~~~~ ~~~~~~~~~~~ ~~~~~~~~~. ~~~~ ~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~ ~~~~~~ ~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~~ ~~~~ ~~~ ~~~ ~~~~ ~~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~~~. ~~~~ mention his name ~~~ ~~~~~~~ ~~~~~~~~, ~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~~, ~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~~~’~~ ~~~~~~~~ ~~~~~~~~~ ~~~ ~~ ~~~~~~~~~~ ~~~ “~~~~~~~~~ nationalism”, which falls ~~~~~~ ~~~~ ~~~~~~~~~ “~~~~~~~~ ~~~~~~-~~~~~ ~~~~~~~~~~ ideology”.
« Camus’s ~~~~~~~ ~~~~~~~~, ~~~ ~~~~~~~, ~~~~~ ~~~~ ~~~~~~~~~~~~ “~~~~ ~~~~~~ ~~~~~~~~~~~~”, ~~~~~~, ~~~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~ ~~ “~~~~~~ ~~~~~~~~~~~~ ~~~~-~~~~~~ ~~~~~~~~~~~ theory” in which ~~ ~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~ ~~~~-~~~~~~ ~~~~~~~~. ~~~~~~~~ ~~~~-~~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~~ ~~~ ~~~~~ ~~~~~ ~~~~~~~~~~~ ~~~ it. And Camus ~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~, ~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~ ~~~~~~~, ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~~~~ – “~~~~~~~~~ ~~~~~~~~~~~”, ~~~ ~~~~~~~~~ ~~~ ~~~~~. Yet Camus has ~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~~~ ~~~ ~~ ~~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~, ~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~ “~~~~ ~~~~~ ~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~~ that humanity has ~~~~~ ~~~~~~~~~”, ~~~~~~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~~, ~~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~ – ~~~~ ~~~~ ~~~~~~~~~~~~~ ~~~~~~~ ~~~~ ~~ ~~~~~~ ~~~~~~~~~~~~, ~~~ ~~~~~~~ ~~ ~~~~~~~~~~. Moreover, if Camus ~~~ ~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~ ~~~~~ ~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~~, ~~~~ ~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~ French public, including ~~ ~~~~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~, ~~~~~~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~ place.
« Fortunately, ~~~~~~~ ~~~ ~~~~~~~ ~~~~~~, ~~ ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~’~~ ~~~~~~~~~~ writings has at ~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~, ~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~~~. ~~~~ Enemy ~~~ ~~~~ Disaster ~~~~~~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~~~’~~ ~~~~~~~~~~ ~~~~~~~~~ ~~~~ includes an invaluable ~~~~~~~~~~~~~ ~~~ ~~~~~~ ~~~~~~, ~~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~~ ~~~~~-~~~~~~~ ~~~~~~~~. ~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~, ~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~ providing the necessary ~~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~, ~~~~~~~~, ~~~~ ~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~ reader.
« For ~~~~~~, ~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~~ ~~ ~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~ ~~~~~~~: “~~~~ substitution of one ~~~ ~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~ ~~~~~~~ ~~~~~~ ~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~, ~~~~~~ ~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~”. ~~~~~~ there was once ~~~~ ~~~~~~~, ~~~~~~ ~~~ ~~~~ ~~~~~~~~ – ~~~~~~~~~~ ~~~~~~ ~~~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~~~~ ~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~ ~~~~, ~~~~~ only a generation ~~~ ~~~~, ~~~~~~~~~ ~~~~-~~~~~~~~~ ~~~~~~~~~~~~. ~~~ ~~~, ~~~ ~~~~~~~~, “~~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ … ~~~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~~ ~~~~~~ it is bringing ~~~~~ ~~~~~~~~ ~~~ ~~~ end”.
« The ~~~~~~~~~~ ~~~~-~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~~, ~~~~~~~ ~~~~~~, ~~~ “~~~~ ~~~~~~ ~~~~~~~~~~~~~~”, ~~~~ ~~~~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~ an aristocratic elite, ~~ ~~~~~~~~~~ ~~~~~~, ~~~ ~~~~~~~~~. ~~~~~ ~~~~~~~~, ~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~ ~~~ ~~~~~~, ~~~~ ~~~~ ~~~~~ ~~~~~~~: ~~~~ ~~~~~ ~~~ “~~~~~~-~~~~~~~~~~”, ~~~~~~ ~~~~~~ ~~~ ~~~~~~ all forms of ~~~~~~~~~~ ~~~~ ~~~~~~~~; ~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ “~~~~~~~ ~~~~~~” ~~~ ~~~~~-~~~~~~~, ~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~~~~, ~~~~~~ ~~~~~ ~~~~ ~~~~~~~ ~~~ old as eternally ~~~~~~~, ~~~~ ~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~ race, ethnicities, peoples, civilizations, nations, ~~~ origins ~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~. All this has ~~~~~ ~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~~, ~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~ ~~ ~~~~~~~ ~~~~~~~~~ ~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~ a “liquified humanity”.
« Camus ~~~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~ race, ~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~, ~~~~ ~~~~ “~~~~~ ~~~~ ~~~~~~~~” ~~~~~~ attached to its ~~~~ ~~~ ~~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~~~, ~~~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~~, ~~~~~~ ~~~~~~~~ “~~ ~~~~~-~~~~~~~ ~~~~~~~~” ~~~~ ~~ ~~~~~ ~~~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~. ~~~~ ~~~~ ~~~~ of any term, ~~~ ~~~~~~~~~, ~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~~, “~~~ ~~~~~~~~~ ~~~ ~~~~, ~~~~~~~~~ ~~~ ~~~~~~, ~~~~~~~~~ ~~~ ~~~~~~~~”, ~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~ ~~~ ~~ ~~~~~~~, ~~ Nazi, and for ~~~~~-~~~~~~~~ ~~~ “~~~~~ ~~~ sight”.
« The ~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~~~~, ~~~~~, ~~~~ ~~~~~ ~~~ ~~~~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~~~~, ~~~ ~~~~~ ~~~~~ existed, in Europe, ~~~~~~~~ ~~~ ~~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~~~ ~~~~-~~~~~~~~~ ~~~~~~~~~~~~ ~~~~, ~~~~~~~~~~ ~~~ ~~~~~~~, ~~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~. ~~~ ~~~ ~~~ ~~~ ~~~~~~~ ~~~~~ ~~ ~~~~~~~~ ~~~~ had suffered from ~~ ~~~~~~~~~ ~~~~~~~, ~~~~~~~~~~, ~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~~ ~~~ ~~~ ~~ ~~~~~ ~~~ ~~~~~-~~~~~~~~ ~~~~~~~~~. ~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~ ~~~~ ~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~~~~~ ~~~ ~~~~~~~~ any re-occurrence by ~~~~~~~~~ ~~~~ ~~~~ ~~~~~~ ~~~~~~~, ~~~~~~ ~~~~~ “~~~~ ~~~~~~ ~~~~~~~~~~, ~~~~~~~~~ ~~~~ ~~~~~~~~~, ~~~~ ~~~~~~~ ~~~~ ~~~~~”, ~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~ “~~~~~, ~~~~~~~~~~~ ~~~~~~~~~~”. ~~~~ ~~~~~~~~ ~~~~~~~~ “officially alive” but ~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~ anything.
« The ~~~~~~~ ~~~~~ ~~~~~~~ “~~~~ ~~~~~~~ ~~~~~ ~~ ~~~~~~~~ ~~~ ~~~~~~~~~~~~”, ~~~ ~~~~~, ~~~~ “~~~~~~~~ ~~~ ~~~~~~~~~~~”, ~~~~ ~~~~~ ~~~~~~~~~~ all occupants of ~~~~~~~ ~~~~ “~~~~~~~~ ~~~~~~~”, ~~~ ~~~~~~~~ ~~~~~~~~~~~~ – ~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~. ~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~ ~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~~ and traditions are ~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~~~~~ ~~ ~~~~~~~~ ~~~~~~~~ ~~~ ~~~ ~~~~~~ ~~~~~ ~~~~~~~~~, ~~~~ “~~~~~~ ~~~~ ~~~~~~ ~~~~ ~~~~ ~~~~~~ ~~~~~~~ ~~ ~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~ is beaten or ~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~ ~~~~~~”, ~~~~~ ~~~~~~ ~~~~~~~ ~~~~~~~ ~~~~~ ~~~~~ ~~~~~. ~~~~~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~~~ – ~~~~~~ ~~~~~~, ~~~~ ~~~~~~~~. ~~~~ they came as ~~~~~~~~~~~~, ~~~~ ~~~~~~ ~~~~~~~~. ~~~~ ~~~~ ~~~~~~~ ~~~~~ “~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~~~ … ~~~~~~ ~~~~~~~~~~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~” ~~~ ~~~~~~~~~ ~~~~~~~~~. ~~~~~~ ~~~~~~~ ~~~~ famous words of ~~~ ~~~~~~~ – ~~~~ ~~~~~~~~~~~~ – ~~~ ~~~~ ~~~~~~~~: ~~~~~ ~~~ ~~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~, “~~~~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~ France”.
« Camus ~~~~~ ~~~ point in trying ~~~ ~~~~~~~~ ~~~~~~~~~~~~~. “~~~~~, ~~~~~~ ~~~~~~~ ~~~ ~~~~~~~~~~”, ~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~~, “~~ ~~~~~-~~~~~ ~~~~~~~~~ ~~~ ~~~ ~~~~~~”. ~~~~ ~~~~~ ~~~~~ ~~~ ~~~~~~~~~ “~~~~ ~~~~ journey toward the ~~~~~~~~~ ~~~ ~~~~~~~~” ~~~ ~~~~ ~~~~~~~ ~~~ “~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~ … ~~~ ~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~~ type of society ~~~~~ ~~~~~ ~~~~~”; ~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~~~ ~~~~~~~ ~~~~~~~~ “~~~~~ ~~~~~~~ ~~~~ without”:
« Faced ~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~~, ~~~ ~~~~~ ~~~~~ ~~~~~ firmly assert our ~~~~~~~ ~~~ ~~~~~ ~~~~ ~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~, ~~~~ ~~~~ ~~~ ~~~~~~ ~~~~ ~~~~ ~~~ ~~~~~~, ~~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~~, ~~~~ ~~~~~~~~~~~ or what remains ~~~ ~~~~~, ~~~~ ~~~~~, ~~~~~~, ~~~~~~~, ~~~~~~~, ~~~~ freedoms.
« Camus ~~~ ~~~~ ~~~~ ~~~~~ ~~~~~~~ ~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~ ~~~~~-~~~~~~~, ~~~~~~~~~~~~~~~~~, ~~~~ ~~~~~~~~~~. ~~~~~~~~ ~~~~~~~, ~~~~~~~ ~~~~~~~~~~~, and Christopher Caldwell ~~~~ ~~~~~ ~~~ ~~~~~. ~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~~, ~~~~~ ~~~~ ~~~~ ~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~, ~~~~ ~~~~ ~~~~ ~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~. Camus is a ~~~~~~~ ~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~. ~~~~ ~~~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~~~. ~~~~ ~~~~~~~~~~ ~~~~~. ~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~. ~~~~~~ ~~~~, Camus is determined ~~~ ~~~~~~~~~ ~~~~~~~~, ~~~ ~~~~~~ ~~~~ ~~~~~~, ~~~ ~~~~ ~~~~ ~~~~~~~~~~. ~~~~ ~~~~~~~~~~, ~~~~~~ ~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~. ~~~~~~ ~~~~ ~~~ counterpart in the ~~~~~~~~~~~ world.
« Although ~~~~~~’~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~~~~, ~~~~~ ~~~~~~ ~~~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~ ~~~~ ~~~~. ~~~ ~~~~~~ ~~~~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~~, ~~~~~~ situation closely parallels ~~~~~ ~~~ ~~~~~~~, ~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~~~~, ~~~~~ ~~~ ~~~ ~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~. ~~~~~~~~, ~~~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~~~~~ who, though outspoken ~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~~~~~~, ~~~~~~ ~~ ~~~~~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~~~~~ “~~~~~~~”. It is vital ~~~~~ ~~~~~, ~~~~~~ ~~~~, ~~~~~ ~~~~~~ ~~~~~~~ ~~~ ~~~ ~~~~ ~~~~~ ».
voir l’entrée du mercredi 19 juin 2024 dans Le Jour ni l’Heure