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25

The Apartment

Response to Emmanuel Carrère

March 21^st, 2017

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When Emmanuel Carrère’s collection of articles and critical texts, Il ~~~~ ~~~~~~~~~~~ ~~’~~~~~~ ~~~ aller, It is ~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~~ ~~~ ~~~, was published ~~~ ~~~~~~~, ~~~~ ~~~~~~~ ~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~ that he and ~~ ~~~~~~~~ ~~~ ~~~ ~~~~ ~~~~~~, ~~~~~~ ~~~~~~~~, ~~~ ~~~~ ~~~~~, ~~~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~~~~~, ~~~ ~~~~ of an open ~~~~~~~ ~~~~~~~~~~ ~~~ ~~~ ~~ ~~~~ ~~~~~~ ~~~~~~~~, ~~~~ ~~~~~~~~~~~~ there.^[1] ~~’~~~ ~~~~~~ ~~~~~~~~~ ~~~~~~~~ ~~~~~~~~, ~~~ the saying goes. ~~ ~~~~~ ~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~ ~~~~. ~~~~ ~~ ~~~~~~ ~~~ ~~ ~~~~~~~ unfair that he ~~~~~~~ ~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~~~, ~~~~~ ~~~ ~~~, ~~~~~~ ~~~~~~~~, ~~~~ ~~~~~~’~~ ~~~~~~~~, ~~~~~~~~~ ~~~ ~~~~~ ~~~~ invited everywhere, on ~~~~ ~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~, ~~~~~~ ~~ ~~~, ~~~~ ~~~~~~~~ ~~~~~~~ ~~~~~~~, ~~~~~~ ~~~~ ~~~~~~, ~~~~~~~~~ ~~~~~~~~~~~ and now deprived, ~~~ ~~~~~~ ~~~ ~~~~~~~, ~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~, ~~~~~~ ~~~~~ ~~~ ~~~~~-~~~~~~~~~~ ~~~~~~. ~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~ I was offered ~~ ~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~ ~~~ ~~~ ~~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~ so by his swerve.

But ~~~~, ~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~~, La ~~~~~~~ is ~~~~~~~~~ me the opportunity ~~~ ~~~ ~~~~~ ~~~~~. ~~~ ~~~~~~ ~~~ ~~~~~~ ~~~ ~~~ ~~~ ~~~~ no.

The ~~~~~~~ ~~~~~~ ~~~~~~~~ ~~~~~~ to me for ~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~, ~~~~ ~~~~~~ ~~~ ~~~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~ ~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~~~~~~ around the theme ~~~ ~~~~ apartment. ~~~’~~ ~~~~~ ~~~~~~ ~~~ ~~~~~~~~’~~, ~~~ ~~~~ Theodicy:

“Thereupon ~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~ ~~~~ of the apartments. ~~~~~ ~~~ ~~~~ ~~~~~~, ~~~ ~~~~ ~~~ ~~~~~~~ ~~ ~~~~~, ~~~ ~~~~ ~~ world,

solemque ~~~~~, ~~~~ ~~~~~~~ norat.”

And indeed, Carrère’s ~~~~~ is ~~~~ ~~~~~~. ~~~ ~~~ ~~~~~ ~~ ~~~~~~~~~ ~~~~ ~~~~ ~~~~~~ ~~~~ ~~ ~~~~~ ~~~~~ ~~~~~, a beautiful flat, ~~~ ~~~~~, ~~~ ~~~~ X^th ~~~~~~~~~~~~~~~ ~~~ Paris.

Carrère ~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~ a bobo, a “~~~~~~~~~ ~~~~~~~~~~,” ~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~, ~~~ ~~~~~~ ~~~~ ~~~ ~~~~ belong to it ~~~~ ~~~ ~~~~~ ~~~ ~~~~~~ ~~~~ ~~~. ~~~~~~~~, ~~~~~~~ ~~~~~~~-~~~~~~~~~, ~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~~, ~~~~ ~~~~~-~~~~ ~~~~~~~~~ bourgeois, comfortably established ~~~ ~~~~~, ~~~~~~~~, ~~~~~~~~~~~~, ~~~~~~~~~, ~~~~~-~~~~~ ~~~ ~~~~~ ~~~~~ ~~~ ~~~: ~~~~ ~~~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~ ~~~ in his beautiful, ~~~~~~, ~~~~, ~~~~~~-~~~~~~~~ ~~~~~ ~~~~~~ ~~~~ ~~~~, ~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~~~ ~~~~~~~~ ~~~ is located in ~~ ~~~~~~~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~ ~~~~~ ~~~ ’~~~~~~~~~~’, ~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~~~~. ~~~ ~~~~~, when he wrote ~~~~ ~~~~~~~ ~~~~~~~ ~~~ ~~~, ~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~~ ~~~~ ~~~~~~~~~. ~~~~~~~~, he declares:

“What I ~~~~~~ ~~~ ~~~~ ~~~ ~~~~~, ~~~ ~~~~~~~~~ ~~ ~~~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~ one room of ~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~ ~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~ in the street ~~~~~ ~~~~~~~ ~~~~~~, ~~ ~~~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~, ~~ ~~~~~~ ~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~~~~ for a life ~~~~~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~~~ ~~~ ~~~~~~~, ~~~ ~~~~~ ~~~~ ~~~~~~ ~~~~~~~~~, ~~~~ ~~ ~~~~~~ ~~~~ ~~~ able to consider ~~~~ ~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~ unjust.”

One ~~~~~ ~~~~~, ~~~~~ ~~~~~ ~~~ ~~~~~~~~,  ~~~~ ~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~ displayed by Carrère  ~~~~ “~~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~,” ~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~, at least as ~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~~~. ~~~~ ~~~~~ ~~~ ~~~~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~ are unable to ~~~, ~~~~~~~ ~~~ ~~~~~ ~~~~, ~~~~ ~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~ ~~~~ ~~~~ ~~~~~~~ — ~~~ ~~~~~~~~~~ fate — strangers ~~~ ~~~~~~ ~~~~ ~~~~~~~~, ~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~~, ~~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~~~~, ~~~~ ~~~~~~~ ~~~~~~~~~ ~~~~ easy to live with.

But ~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~, ~~~~ ~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~. ~~~~~ ~~~ ~~~~ at the heart ~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~, ~~~~~~ ~~~~~~ ~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~ ~~~~ morality against them. ~~~~~ ~~~~ ~~~~~ ~~~~~~ ~~~~~ ~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~ ~~~, ~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~’~~ their duty to ~~~~~ ~~~~. ~~~~ ~~~~ ~~~ ~~~ ~~~~~~ ~~~~~? ~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~. ~~~ ~~~~~~’~~ ~~ family down the ~~~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~~, ~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~ ~~~ ~~~~~ ~~~ ~~~~ ~~~~, ~~~~~~~ ~~~~~, or at least ~~~~~ ~~~~~ ~~~ ~~ ~~~~~~~ ~~~~~ ~~~~ ~~~~ ~~~ ~~~ ~~~~~~~~~~. ~~~~~ ~~~ ~~~~ ~~~~~ ~~~~ ~~~~~ of the replacist ~~~~~~~~~, ~~~ ~~~ ~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~~~~, ~~~~ ~~~~~~~~~~~~~ ~~~~ ~~~~, ~~~ ~~~~~~~ ~~~~~~~~~~~~~: what the poet ~~~~~ ~~~~~~~~ ~~~~~~ ~~~~~~~~ ~~~~~~~, ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~~, ~~~~ ~~~~~~~~~~ ~~~ ~~ ~~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~, genocide by substitution. I ~~~~’~~ ~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~, ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~, ~~~~-~~~~~~~~~ ~~~~~~~~~~~~, ~~~~~~~~~~~ intended to defend ~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~~~, ~~~~ ~~~~~~~ ~~~ ~~~ ~~~~ ~~~ ~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~ changing people.

Before the ~~~~~~~~~ ~~~~~~~~~, ~~~~~~ ~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~: ~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~~. ~~ ~~~~~ referred to replacism, ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~~~~, ~~~ the ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~-~~~~~~ century. ~~~~ ~~~~~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~~~~~~~~, of their own ~~~~~-~~~~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~-~~~~~~~~~~. ~~~~ ~~~~~~ ~~~~~~~~~~~~ ~~~ ~~ ~~~~~ ~~~~~~~~~~ ~~~~~~, ~~~~~~~ the Great Purges. ~~~~~~~~~ ~~~~~~~~ ~~~~~~~~~ ~~~ ~~~ ~~~~ ~~~ ~~~~~ ~~~~~~~ ~~~~~~~~~~, ~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~~~ ~~~~ taking up too ~~~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~ territories.

Carrère ~~~~~: “~~ ~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~~ ~~~~~ [the ~~~~~~~~ ~~~ Joachim Du Bellay, ~~~~ ~~~~~ — ~~~~’~~ ~~~~ ~~~~~~ ~~~~~~~~~, ~~~ Recanati…] ~~~~~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~ starving people of Sudan”.

And ~~~~ ~~~~~~~ ~~~~~ ~~~~~ ~~~ ~~~~~ ~~~~~~~ ~~~ ~~~ ~~~, ~~~~~ ~~~ ~~~ ~~~~, more ~~~~~~~, these Sudanese, to le ~~~~~~~ ~~~’~~~~ ~~~~~ ~~~~ aïeux^[2] ? ~~~~~~~~ ~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~. ~~~~~~~~, ~~~~~~~~~ ~~~ ~~~~ ~~~~~ usual forms of ~~~~~~~~~~ ~~~~~-~~~~~~~~~~, ~~~~~~ ~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~~~ ~~~~~-~~~~~~~, ~~~~~ ~~~~ ~~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~ Europeans. No, he ~~~~~~~~ ~~~~~~~~~~~. ~~~~~~~~~~ ~~~ ~~~~, ~~~~ ~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~ we do is ~~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~~, ~~~ ~~~~~~, ~~~~~~~~ ~~~ ~~~~~ ~~~~, ~~~ ~~~~~ ~~~ all.

Yet ~~~ ~~~ my own view ~~~~~ ~~~~~~ ~~~ ~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~ ~~~~ ~~~~’~~ ~~~~~ ~~~~ ~~~~~ ~~~ ~~~~, ~~~~ ~~~~~~~~ can any other ~~~~~~~~, ~~~~~ ~~~~~~~~~ ~~~~~~~~~; ~~~~~ ~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~~~; ~~~~~ ~~~~ ecological policies are ~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~ ~~~~~~~~~~; ~~~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~, ~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~ been so numerous, ~~~~ ~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~ ~~~ ~~~~~~~~~~~, ~~~~~~~~ ~~~~ ~~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~~, ~~ ~~~~~ ~~~~~~~~~~~ demographic de-growth; whereas ~~~~~~~~ ~~~~~~~~~~~ ~~~, ~~~~ ~~~~ ~~~~~, ~~ ~~~~~~~~~~~  ~~~~~ bomb.

For ~~~~~~~~, ~~~~~~~~, ~~~ ~~~ ~~~~~ ~~~~~~~~, ~~~~~ total planetary irresponsibility, ~~~~ ~~~~~~~~~~~~~ ~~~~~~ ~~~~~, ~~~~~ ~~~~~~~~ ~~~~~~~. ~~~ ~~~ ~~~~~~~~ ~~~~-~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~ ~~~~~ have a right, ~~~ ~~~~ ~~~~~, ~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~ beautiful flats. In ~~~~~~, ~~~ ~~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~. ~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~~~~~~ ~~ factor of death, ~~~ erasure.

In ~~~~ ~~~~~~~~, ~~~~ ~~~~~ ~~~~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~~, ~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~ the modern legal ~~~~~~~~~~~. ~~~~~~, ~~~ ~~~ ~~~~~~~ ~~~~, ~~~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~. ~~~~~ ~~~ ~~~~~~~~ ~~~~~~ in common between ~~~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~. ~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~ ~~~~~~ ~~~ the kommunalka, the ~~~~~~~ ~~~~~~~~~ ~~~~~, ~~~ ~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~~~. ~~~~, moving west, the kommunalka has ~~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~ ~~ ~~~~~~~~~~. ~~~~ ~~~~ kommunalka is the ~~~~~~~~~ vivre ensemble, living together, the ~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~~, ~~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~, ~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~ and terrorism, is the ~~~~~~ ~~~ emergency.^[4]

And ~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~ replacism is something ~~~ ~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~~~ ~~~~, ~~~~ ~~~~~ ~~~~~~~, ~~~~~ ~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~ of indigenous people ~~~ ~~~~~~~ ~~~ ~~~-~~~~~~~ ~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~ ~~~~~~~~. ~~~~~ ~~~ ~~~ opportunity to remind ~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~, ~~~~~~~~ ~~~~ ~~~~ ~~~~~~, ~~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~~~ ~~ ~~~~~~~~~~~~ ~~~~~~~~ of civilisation, freedom ~~~~ ~~~~~ ~~~~~~ ~~~~~~~ — ~~~~ ~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~~~~. ~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~ ~~~~~ ~~~~ ideologies of replaceable ~~~~ ~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~, ~~~ ~~~ ~~~~~ with it, because ~~~ ~~~ ~~~ ~~~~~~~~~, ~~~~~ ~~~~~~, ~~~~~ ~~~~~~~~, ~~~~~ ~~~~~~, ~~~~~ ~~~~~~~~~~~~, ~~~~~ ~~~~~~~ ~~~ ~~~~~~~~~ ~~~~ culture, like names^[3], ~~~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~, ~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~, ~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~ Matter.

^[1] ~~~~~ ~~~~~ was sent to ~~~~ ~~~~~~~~ ~~~~~~~~~~ La ~~~~~~~ on ~~~ ~~~~~~ ~~~~~. ~~~~~ ~~~ ~~~~ ~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~ ~~~ which it serves ~~~ ~~ reply:

Le ~~~~~~~, ~~~~~~~, ~~~~~~~ ~~~ ~~~~~~~~ 2011

My ~~~~~ Renaud,

Knowing ~~~~ ~~~~~~~~ ~~~ ~~~~~ ~~~~, ~~’~~ sure you sensed ~~~ ~~~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~~ ~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~~ ~~~~ the new journal ~~~ ~~~~ ~~~-~~~~~~~~ ~~~~~~. ~~~ ~~~~~ ~~~~~, ~~ ~~~~~~ ~~~~ ~~~~ ~~ ~~~~ ~~~~~ ~~~ ~~~~~~ ~~~ over. Here is ~~~~ result.

I ~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~~~ ~~~ ~~~~~~~. ~~~ ~~ ~~~~~~~ ~~~~~~ ~~~ ~~~~~ ~~~~~~, ~~~~~~’~~ a rather melancholy ~~~~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~~~~~~, ~~~~ ~~~ date, ghost-like and ~~~~ ~~~~~~~~ ~~~ ~~~~~~ ~~~~~~ ~~~~~~~~ ~~~~~~~~. ~~~~~ ~~~~~~~~~ ~~~, ~~~~~~~~ ~~~~~~~~ ~~~’~~ ~~~~~, ~~~~ ~~~~~~~~~ ~~~~~~~~ it’s not entirely ~~~~~. ~~~~~~ ~~~~, ~~~~ ~~~~ ~~~~~ ~~~~~~~-~~~~~ ~~~~~~ ~~’~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~ ~~~~~ reading your diary, ~~~~ ~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~~ ~~’~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~ Demeures ~~~ l’esprit, so I’ve ~~~~~ ~~~~~ ~~~ ~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~ ~~~~, ~~~~~ ~~~~ ~~~~, ~~~~~~, ~~~~~~~~, ~~~~~ and sometimes suffered, ~~~~ ~~~~~~ ~~~~. ~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~~ ~~~~~~, ~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~ ~~~~’~~ ~~~~~~~ ~~~, because with people ~~~~ ~~~~~~~ ~~~~~, ~~~~~ ~~~~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~, ~~~~ ~~~~~ ~~ ~~~~~~ ~~ ~~~~~, ~~~~’~~~ ~~~~ ~~~ the readers I ~~~~~~ ~~~, ~~~~~~ ~~~~~~~~~~ ~~ ~~~~~~~~~~~ ~~~~ ~~~~~ ~~~~~ ~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~, ~~~~~~~~~~~~~~, ~~~~~~~~~~~~~ letter which has ~~~~~~ ~~~~~~~ ~~~ ~~~~~. ~~~, ~~~~, ~~~ ~~~~~~~ ~~~ ~~~~’~~ ~~~~ ~~~~~ ~~~~~~, ~~~ ~~~~’~~ ~~~~~ ~~~~~ other, we haven’t ~~~~~~ ~~~~~ ~~~~ ~~~~~~, ~~~~ ~~~ ~~ ~~~~~~ ~~~~~~ ~~~ ~~ ~~~~’~~ ~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~ whom I have ~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~~~, ~~~ ~~~~ ~~~~~~~ ~~~~~ ~~ ~~~~~~~~~~ ~~~~~~ ~~~ ~~~ mind.

As ~~~~~~~ ~~~~~~ ~~~~~ it, I’m reading ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~ ~~ ~~~~~~ ~~~~~~ ~~~ ~~~~ ~~~ ~~ ~~~~~ ~~~. ~~~ ~~~~~ ~~~~~~~~~~, your freedom, your ~~~~~~~~~. ~~~ ~~~~~ ~~~~~~ ~~~ ~~~~ "~~~~~~ ~~~~~", ~~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~~ you make your ~~~~ ~~~ ~~~~ ~~~~~~, ~~~~~~ ~~~ ~~~ ~~~~ ~~~~~: ~~ ~~~~~~~~ ~~~~~~~~~~~~~~ ~~~~~~~, ~~ ~~~~~-~~~~~~~~ ~~~~~~~ ~~~~~~. To your extraordinary ~~~~~~~ ~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~~, ~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~ ~~~~’~~~ ~~~~~~~~ ~~~, ~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~ ~~~~~. To your moustache, ~~~ ~~~~ ~~~~~~~~~ ~~~~~~, ~~~~~ ~~~ ~~~~ ~~~~’~~ ~~~~~~ ~~~, ~~~~~~ ~~~~ ~~~ ~~~~~. ~~~ ~~~~ ~~~~~~~ grandiose contrast between ~~~~ ~~~~~~~~~~~ ~~~ ~~~~~ ~~~~~ ~~~~ ~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~~~~ ~~~. ~~ ~~~~~~~~~~ ~~~~ ~~~~~~~, ~~~~~~~~ ~~~~ much bitterness, as ~~~~ ~~~ ~~~~~~ ~~~~~~~ ~~~~~~~~, ~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~~~~~, ~~~~ ~~~~~ ~~~~~ ~~~~~ posterity in footnotes ~~~~~~~~ ~~~~~ ~~~~~ ~~ ~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~ ~~~~ ~~~~~~~~ in his day, ~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~~ ~~~~~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~~ ~~~~~~. ~~~~~ ~~~~ ~~~~~ himself in this ~~~~~, ~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~~~: ~~~ ~~~~~ ~~~~~ ~~~~~~, ~~~~~~~~~, ~~~~ ~~ ~~~~~ ~~~ ~~~. After having considered ~~~~~ ~~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~~ ~~~~ ~~~~ ~~~~~ ~~~ ~~~~~, ~~ ~~~~~ ~~~ ~~~~~~~ ~~~~~ this clarification was ~~~~~~~~~~. ~~~~~ ~~~~~~~~ ~~~, ~~~~~~~~, ~~~ ~~~~ ~~~~~ ~~~~~ ~~ ~~~~~ ~~~~ ~~ ~~~~~~~~ ~~~~~~ ~~~~~~~~~~~ ~~~ solitude take when ~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~~, ~~ ~~~~’~~ ~~~~ readers ~~~~, ~~~~~~ ~~~ ~~~~~ ~~~~~~~~~~, disciples — those people whose ~~~~~~~~~ ~~~ ~~~ ~~~~~~~ ~~ ~~~~~~~~ ~~~~~~~~ ~~~~~ ~~~~~~ ~~~~~~~~~~~~. ~~ ~~~~~ ~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~~~, ~~~~~ as Nietzsche loved ~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~, ~~~~ ~~ ~~~~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~ ~~~ ~~ ~~~~~ ~~~~~~~ ~~~~~~, I am uncomfortable ~~~~~ ~~~~ ~~~~~~ ~~~ In-nocence.

I ~~~~~~, ~~~~~ ~~~ ~~~~~, ~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~, ~~~~ ~~~~ ~~~~~~~ ~~~~~~~ that it’s you ~~~~ ~~~~ ~~~, ~~~~ ~~~~~~~ ~~~, ~~~~~~~~~ ~~~, ~~~~~~~~~~~~~ ~~~, ~~~~ ~~~~~ ~~~ ~~~ ~~~~ ~~~~~~~~~~~~ ~~~ your mind, not ~~ ~~~~~~~~~~ ~~~ ~~~~~~. ~~ ~~~~’~~ ~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~ ~~~~~~ ~~~~~, ~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~ ~~~ overlaps word for ~~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~. ~~~~~ ~~~~ ~~~~~~~~~~~ — ~~~~~ ~~~~~ ~~~~~~~~~~~ — ~~~~~ ~~~~~~~~~~ ~~~ ~~~, somewhere, agrees.

For example: ~~ ~~~~~~ ~~ ~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~~~ ~~~ contemporary language, and ~~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~ ~~~~~ [Noël ~~~~~~~~~~, ~~~~~-~~~~~, ~~~~ a French actor ~~~~ ~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~, ~~~~~~ ~~~ ~~~~ military], ~~~~’~~~ ~~~~~~~ ~~~~~ ~~ ~~~~~ audience in me. ~~~~ ~~~~~ ~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~~ ~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~ ~~ ~~~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~ fellow human beings ~~~~ ~~~~ “~~~ ~~~~~~~~,” “~~~ ~~~ ~~~~~ ~~~~~” ~~~ “~~~~ ~~~~~~~~,” ~~~~, ~~~~~~ ~~~~~~, ~~~ ~~~~~ ~~~~~~ pleasure in distinguishing ~~~~~~~~~~~ ~~~~~ ~~~~~~ ~~~~~~, ~~ ~~~~~~ ~~~~~’~~ ~~~ ~~~~~~~ ~~~~~~~~~~~. ~~ ~~~~~ ~~~~~~ — ~~~~~~~ ~~~, ~~’~~ going to be ~~~~~~~~ — ~~~~~ ~~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~-~~~~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~ ~~~~~~~ ~~~ ~~~~~~ ~~~~ spiritual progress, and ~~~~~ ~~~~~~~~~~ ~~~ ~~~ ~~~ ~~~ ~~~~~~, ~~~~ ~~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~. I’m inclined to ~~~~~ ~~~~~~; ~~’~~ ~~~~ ~~~ ~~~~~~ ~~~~~~~, ~~~~~~~~~~~~ ~~~ ~~~~~~, ~~~~ ~~~~~~ ~~~~~~ ~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~~ Arnaud Montebourg says “~~~~~~~~~~” ~~~~ “~~~~~~~~~~” ~~~~ ~~~~~ ~~~~~ ~~~~~~ ~~~~~~ ~~~ ~~~~~~ ~~~~~~ ~~~~~ ~~~~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~ ~~~~ talk very loudly ~~~ ~~~~~~ ~~~~~~~ ~~~~~~~, ~~~~ ~~’~~ ~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~ who make a ~~~~~~~~~ ~~~~~~~ ~~~~ ~~ ~~~~~~~ ~~’~~~~~ from ~~~~~ error — ~~~~ ~~’~~ ~~~~~~~~ ~~~~~ ~~~ ~~~ one.

While ~~’~~ at it, I’ll ~~~~~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~ ~~ ~~~~~~ ~~~ ~~~~ ~~~ ~~~~ ~~~~~ ~~~~~~~~~~ ~~~~~~~ ~~~ ~~~-~~~~~~~~, ~~~~~~ is the great ~~~~~~~~~~~~, ~~~~~~~~~~~~~ ~~~ ~~~~~~~~, ~~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~ ~~~~~ ~~~~~-~~~~~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~~~, ~~~~~~~ ~~~~ ~~~~~~~~~, practising our religion — ~~~ ~~~~~~~, ~~~~ ~~~~~ ~~~~~~~~~~~, ~~~~ ~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~. ~~~~~~~~~~, ~~~~~~~, ~~ ~~~~’~~ ~~~~~~ ~~~~ of this makes ~~~~~~ ~~~~ ~~~~~, ~~~~ ~~~~ ~~~~~~~ ~~~~~~~ ~~~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~~~~~ ~~~ ~~~ ~~~ earth (or are ~~~~~~ ~~~~~~?), ~~~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~ ~~~~~, ~~~~~~ ~~~ ~~~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~ ~~~~~~, I agree with ~~~~ ~~ ~~~~~~~~~ ~~~~~~ ~~~~~, ~~~~~~ ~~~~~ ~~~~~~~~~~~~ ~~~~~ ~~~~~~~~~, ~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~~~~, ~~~~~~~~ ~~~~ ~~~~~ harmful, but apart ~~~~~ ~~~~~~~ ~~~~~ ~~ ~~~~~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ (~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~ quarter that remains), ~~~~~ ~~~~ ~~~ ~~~ ~~~~~~~ ~~~~ ~~~~ ~~~ ~~~~~~ ~~~~ ~~~ ~~~~~ room?

Hélène ~~~~ ~~ ~~~~~ ~~~ a flat that ~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~~ ~~ ~~~~~~ ~~~~ ~~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~ ~~~ ~~~~ ~~~~~~ give us the ~~~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~ ~~~ ~~~~~~. ~~~’~~ ~~~~, ~~~~~~~ ~~~~ supernaturally quiet: no ~~~~~~~~~ ~~~~~~~~~~~, ~~~ ~~~~~~~~~~~ ~~~~~~~~~~~. ~~~~ ~~~~~ ~~~~~~ ~~~, ~~~’~~ ~~~ ~~~~ ~~~~ ~~~~~~~~~~~~~~~, ~~~~~~ ~~~~~~~~~~~ ~~~ divided between Arabs ~~~~ ~~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~, ~~~~~~ ~~~~ ~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~ hoping to cross ~~~~~ ~~~~~~~~, ~~~~~~~~~~~~~ ~~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~~~~, ~~~~ ~~~~~~ ~~~~~ us. There’s a ~~~~ ~~~ ~~~ ~~~~~ ~~~~ ~~~~ ~~~~~~, ~~~~~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~ ~~~~~, ~~~~~~~~~~ ~~~ ~~~~ ~~~~ representatives, and I, ~~~~ ~~~ ~~~~, ~~ ~~~~~ ~~~~, ~~~ ~~~ ~~~~ ~~~~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~, ~~~~~~ gladly take up ~~~~~~ ~~~~~~~~ — ~~~~ ~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~ ‘~~~~~~~~~~ ~~~~~~~~~~~~,’ ~~~~~ ~~~ ~~~~~~~~ ~~~~ ~~~~~~ no one agrees ~~~ ~~~~~~~. ~~~ ~~~~~~: ~~~ ~~ ~~~~~ ~~~~~, ~~ ~~~~~ ~~~ ~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~ can find big, ~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~~~~~~~~, ~~~~ ~~~~~ ~~~~~~~~, ~~~~ ~~~~~~~ ~~~~~~~~~~~, ~~ like it. I ~~~~~ ~~~~~ ~~~~~-~~~~~~~~~~~ ~~~~~~~, ~~~ Le Dépaysement, ~~~~~~ ~~~ barriol. (~~~ ~~~~ ~~~~~~’~~ ~~~~~ ~~~, ~~ ~~~~~~~ recommend Le Dépaysement, ~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~~ ~~~ ~~~~~~, ~~~~ ~~~~~~ to different conclusions, ~~~~~~ ~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~~ ~~~). ~~~~ ~~~~~’~~ ~~~~ ~~~~~ ~~ ~~~~~~. ~~~~~ ~~ ~~~~~~ ~~~~ ~~~~~ if tomorrow a ~~~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~ ~~~ give up the ~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~~~~ ~~~~~~, ~~ ~~~~~~ find that eminently ~~~~~~~~~~~, ~~ ~~~~~~ ~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~~~~~~~~~ ~~~~ ~~ ~~~~~ ~~~~~~~~~~ ~~~~~ ~~~ ~~~~~ ~~~~~ my tastes, if ~~~~~ ~~~~~ ~~~~~~ ~~~~~~~~~, ~~~~ ~~ ~~~~~~ ~~~~ ~~~ ~~~~~ ~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~ unfair. Of course, ~~’~~ ~~~~ ~~~~~~~~~~~ ~~~~, ~~ ~~~~~ ~~~~~ ~~~~~~~~ ~~~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~ ~~~~~~~~~~, ~~~~ that if the ~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~ ~~~~~~, ~~~~~ ~~~~~~ ~~~~~~ ~~~ ~~~~~, ~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~, ~~~ are right, from ~~~~~, ~~~ ~~~~~~~ ~~~~~ ~~~~~ ~~~ ~~~~~. ~~~~ ~~ ~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~ “~~~~~ ~~~ ~~~ ~~~~~~, not yours” is ~~~~~~~~~~ ~~~ ~~~~~~ ~~~, ~~~~ ~~~ ~~~~, ~~~~~~~~~ (~~~~~~~ ~~~~~~~, ~~~~ ~~~~~~~~ ~~~~~~, ~~~~ ~~~~~, ~~~~ ~~~~~…), it is not ~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~, ~~~~ ~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~~. ~~~~~ ~~~~, ~~ like, or rather ~~ ~~~~~ ~~~ ~~~~~, ~~~~~~~~~~, ~~~~~~~~~, ~~~~~~~~~, ~~~~~~~~ [Syldavia ~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~ Ottokar’s Sceptre, Caronia stems ~~~~~ ~~~~~~~ ~~~~~~’~~ novel Roman Roi] –— ~~~~ ~~ ~~~~~~ ~~~~~ ~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~ ~~~ fine, in other ~~~~~~ ~~~~~~~~ ~~ ~~~~ ~~~~~ ~~~~~~ ~~~~~ ~~~, ~~~~ ~~~ ~~~~~~~~~~~ ~~ ~~~~’~~ ~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~ why little Liré ~~~~~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~~~~~ ~~~ ~~~~~~. ~~~ ~~~~~ ~~ ~~~ ~~~~~ pessimistic than you ~~~~~~~~, ~~~~~~ ~~ ~~~~~~ ~~~~~ ~~~~~~ (~~ ~~~~~~~~~~ ~~~~~~~~~~ ~~~~~, ~~~~~~~ ~~~~~~~~, ~~~~~~~, ~~~~ ~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~ and the moon ~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~~ was [~~~~ ~~~~~~ ~~~ ~~ ~~~~~~ ~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~, ~~~~~ Images], while I ~~~~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~ allows me ~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~~ ~~ ~~~~~~~ ~~~~~~~, ~~ don’t believe that ~~ ~~~~~ ~~~~ ~~~~ ~~~ ~~~ ~~~~~ to ~~~~~~~ ~~~ , ~~~~ ~~~~~~~ ~~~~~~~~ me.

In ~~~~~~~~, ~~~’~~ this conviction of ~~~~~~ ~~~~~~~ ~~~~’~~ ~~~~~~~ — ~~~ ~~ ~~~~~~~ ~~~~~~~~~~, ~~~ ~~~~~~~~ ~~~~ ~~~~~~ ~~~~ ~~~ ~~~~~~, ~~~ someone who knows — ~~~~~ ~~~~~~~ ~~~, ~~~~ ~~~ ~~~~~ ~~~~~~~~~, ~~~~~~ ~~~~ ~~~~~~ ~~~~~ ~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~ ~~~~~ you think, but ~~~ ~~~~~ ~~ ~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~~~ ~~~ ~~~-~~~~~~~~. ~~~~~’~~ ~~~~, ~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~ ~~~~~ ~~~~, I have no ~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~ ~~~ ~~~ ~~~~ ~~~~~~~~~. ~~~~~ ~~~~~, ~~~~~~~ ~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~~ ~~~ publish, instead of ~~~~ ~~~~~~~~ ~~~~’~~~ ~~~~~~ ~~~~, ~~~~~ ~~~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~ ~~~~ ~~ ~~~ ~~~~ ~~~~~ ~~~ ~~~~~~ it, I have ~~~~~~~~ ~~~~~~~~ that.

I ~~~~~, ~~~ ~~~~~ ~~~~~~~, ~~~~~ ~~~~~~ ~~~~~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~ ~~’~~~ ~~~~~~ ~~~ ~~~~~~~~~ them to you ~~~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~~. ~~~~~~~~ ~~~~~~~~, ~~~ ~~~ ~~~~~~~~~~ ~~~ me.

Emmanuel

^[2]~~~~~~="~~~~~-~~~~~: 10.0pt;"> … ~~~~ ~~~~~~~~ built by our ancestors — ~~~~~ ~~~ ~~ ~~~~~ ~~~~~ ~~ ~~~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~, ~~~~~-~~~~~, Happy as Ulysses…, once ~~~~~~ ~~~ ~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~ ~~~ ~~~~~~~, ~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~ ~~~ ~~~~~, ~~~~~~ ~~~ ~~~~~~~~, he says, to ~~~~ ~~~~~ ~~~~~~~~~~~~ ~~~~~~~ ~~~ ~~~~ ~~~~~~. ~~~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~ ~~~~~~ ~~~~~~~~~ ~~~~~ ~~~ ~~~~~. Recanati is the ~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~~ ~~~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~ ~~~ ~~~~~ (~~~~~ ~~~~~~ ~~~~ ~~~~~~~~ ~~~~ an Italian magazine).

^[3] ~~~. La ~~~~~~~~~~~~~ ~~~~ prénoms, (The ~~~~~~~~~~~~~ ~~~ ~~~~~~ Names),Chez ~~’~~~~~~~, 2014.

[4] ~~~. ~~~~~~ ~~. …

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